The beast that is fandom can be a
three-headed monster. It's one a lot of us have in our hearts, too.
Feeling fascination and passion for art is nothing to be ashamed of.
Naturally, it is one of the purest things that fuels one to create,
whether it is writing, painting, etc etc. Where things can get sticky
is when the ugliest of the three-heads emerges; the fan ownership.
I'm sure you have seen this pop up on
assorted message boards and social media sites like Tumblr, YouTube
and Facebook. Someone posts a clip from a movie or concert and then
instantly gets irate if someone else posts the same clip. All this
despite the fact that person #1 didn't direct, shoot, produce or star
in said clip. I've even seen some “fans” go so far to put ugly,
cumbersome watermarks on videos that they basically got from someone
else. Which is even more ridiculous when you get into the whole
bootleg realm.
Entitlement isn't always just for the
fans. With writers and journalists, the pissing contest can extend to
subject matter, as if only one person can cover one specific thing.
How boring would that be? Information is for the masses and I am more
than happy to wave my proletariat flag on that. If anything, I love
seeing other writers tackle films that I have written about. Case in
point, the always fabulous and ultra-bright Gore Gore Girl's
meticulously thoughtful write-up of Radley Metzger's “BarbaraBroadcast.” Seeing a good writer explore any subject is a joy and
anyone that gets territorial in a huffy, petty way is tantamount to a
small-peckered man buying a Hummer. If you're confident with your
ability, then you have nothing to worry about. Any artist/writer that
feels threatened by another really needs to examine their own
emotions of self-worth. After all, the outside world makes it hard
enough on the expressive, so the time is nigh for artists to put
aside the small-minded bullshit and support each other. Save the
nastiness for the printed page, canvas, sound, stage and screen.
As for the fans, if one really wants to
feel true ownership of something, then create your own art. It's
relaxing, restorative and will make you look less like an entitled
wanker.
Going back to “Barbara Broadcast,”
it is the perfect film to start off the new monthly feature, Notes from the Back Room, over at Paracinema. There's a legion of titles
that went through my head to start off these proceedings, but between
Distribpix's recent super-lush release and an A+ cast that includes
C.J. Laing, Wade Nichols, Bobby Astyr, Michael Gaunt and Annette
Haven, the choice was obvious. (By the way, if you're Radley
Metzger/Henry Paris admirer, you can also read my pieces on Camille 2000, Private Afternoons of Pamela Mann, Naked Came the Stranger and Opening of Misty Beethoven.)
If you're feeling some Halloween
withdrawal, check out my review of the gonzoid-monster kid
underground film, “Geek Maggot Bingo” over at Dangerous Minds.
This could possibly be the most overlooked and unappreciated film in
the Nick Zedd filmography, so throw on your K-Tel “Haunted Hits”
compilation and your “Zacherley for President” button and enjoy
the show.
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