Showing posts with label Rupert Pupkin Speaks. Show all posts
Showing posts with label Rupert Pupkin Speaks. Show all posts

Sunday, January 12, 2014

Mondo Roundup: The Talent is an Asset Edition


The creature known as the dandy has become, now more than ever, an endangered species. With the waters being crowded with boring metrosexuals, crummy hipster beards and the most banal of them all, the fake tanned gym rat, where are the true peacocks of the world?

Over the past few days, I've been haunted by the spectre of Fred Hughes. Best known for bridging the gap between underground art and the portrait-artist-for-hire world for the legendary Andy Warhol, Hughes was as striking of a figure as his boss. Originally from Texas, Hughes was a born dandy with an aesthetic eye for everything in his life, whether it was paintings, people, clothing, knick knacks and perhaps, life in general. Pseudo-adopted in his college years by the de Menils, who were heirs to the Schlumberger oil fortune, they took the young art history major on significant art buying trips in New York and Europe. Soon, “Le Dauphin” crossed paths with Warhol and history was made. It was Hughes that was with Andy when he was shot by SCUM manifesto writer Valerie Solonas. It was also Hughes that led Andy to all sorts of chi-chi portraiture gigs, affording Warhol to take more risks with the art that actually mattered but also to force the art world at large to really examine what is art. To this day, there are people that vehemently loathe Warhol and his art, but anything that makes you feel that strongly must have something there. Part of the genius of Warhol is that he completely left it up to you to judge and whether or not it was deemed art, he just kept quiet and kept creating. 

Hughes went on to be executor of Andy's estate after he passed in 1987 and per the request of Warhol's will, founded The Andy Warhol Foundation for the Visual Arts. A few years later, Hughes was forced out due to infighting with the organization's president, Archibald L. Gillies. However, the ultimate setback was being diagnosed with multiple sclerosis, which ended up taking his life in 2001.

It may seem odd that this semi-bohemian, DIY loving, strictly working class girl from the South to be thinking of a man who was as chic and dandified as Hughes, but much like Warhol himself, he was a man that came out of fairly humble origins (his father was in the furniture business). Despite that or maybe even because of this, he was able to, thanks to a hawk-like sense of art-keen and a lack of fear, to be this raging, omnisexual creature of sheer style. Due to all of these things, he crafted the kind of exact life he wanted, with only an unpreventable health issue getting in the way. On top of all that, I love anyone who is fully committed to just being whomever they truly are. So many live the life of the worst sort of regret, which is the kind born of “what if.” There are few things that I personally find more haunting than that. In addition to that, a cat like Fred Hughes absolutely loved art and even better, was reportedly the inspiration for the title character in Paul Morrissey's “Blood for Dracula.” Fred, I salute you, no matter whatever assortment of bitchy things Bob Colacello wrote about you in “Holy Terror.” The world needs more people who are not afraid to be striking and more importantly, not afraid to be. 

With a lot of buzz bounding about with awards season, it always make me wonder why we put so much stock into these things. Of course, all creative people, myself definitely included, want if not outright crave attention, respect and affection. That's the truth and there is nothing inherently wrong with wanting feedback and appreciation for your hard work. That's just human. However, the big fallacy with awards, whether it is something as big as the Oscars or as small as an online poll, is that the truly deserving rarely win. It's like someone cut off the multiple heads of your high school's student council and those heads grew into a rainbow assortment of awards shows. Think about all the great artists who have never won versus some of the milquetoast equivalents that did. If you want to know the best way to support your favorite artist, fuck the awards and give them something they can actually use.

Like a livelihood.

A nice statue isn't going to pay anyone's rent or feed their kids. Buy their books, watch their movies, listen to their music, look at their paintings, etc etc. Let them know that their message in a bottle isn't just rotting away into the ether. 


If you need something fun, splashy and trashy to wash away the bitter taste of my mini-rant, then check out my piece on the great 80's horror film tome, “Bleeding Skull” over at Dangerous Minds. Still needing a refreshment? Then wash that bad boy down with my “Employee Recommendations” at the fabulous Rupert Pupkin Speaks blog. You'll be glad you did! 

Enjoy!




Wednesday, October 16, 2013

Weekly Mondo Round-Up: The Debaser Edition

 
Being the fringe culture lover that I am, there's a special kind of thrill whenever a movie you love gets referenced in a song that you love. It doesn't happen too often, but one instance of this sonic-geekery kismet would be “Debaser” by The Pixies. Not only is this a great song but it is also the greatest song about “Un Chien Andalou.” Okay, it's probably the only song about “Un Chien Andalou” but still, it's one of the best songs by a fairly stellar band. (I'll save my paean to Kim Deal for a later date.) The manic way that Frank Black sings/yells “slicing up eyeballs whahohoho” is one of those things that makes me happy. Fun random trivia: Pixies drummer David Lovering is also a professional magician. 


Over the weekend, my husband and I ended up getting massively hooked on a YouTube series entitled, “Unboxed, Watched & Reviewed.” Hosted by the fabulous Obulious Toobach (one helluva of a nom de plume, eh?), “Unboxed, Watched & Reviewed” first came to my attention thanks to the “What to Watch” feature on YouTube. The review in question? The 1976 “Taxi Driver” meets colonic horror adult film, “Water Power,” starring the inimitable and unforgettable Jamie Gillis. I hit play and was instantly hooked. Obulious is my favorite kind of fan; funny, a little snarky, smart and obviously loves fringe cinema. On top of that, his reviews are great, well edited and he traipses into territory that both angels and most film writers fear to tread. The man's cinematic testicular fortitude is impressive. Plus, any one that makes references to Gus Pratt and owns a “Liquid Sky”shirt is instantly cool in my book.


 Speaking of film reviews, I was recently invited to contribute a list of some my personal favorite underrated horror films for one of the best film blogs out there, Rupert Pupkin Speaks. I got to contribute for the site awhile back for their “Top Underrated Drama” feature, so it was a pleasure getting to come back and give some love to films ranging from Michael Findlay's psycho-sexual “Janie” to the brother-sister vampire film, “The Black Room.” Hope you guys enjoy it!


There's been a lot of buzz lately about Lars von Trier's upcoming film, “Nymphomaniac.” The buzz in question has little to do with the all star cast (including this week's birthday boy and one my uber-acting loves, Udo Kier) but instead of von Trier's choice to include unsimulated sex utilizing body doubles being digitally added to the actors. Von Trier has done some good work and in fact, it was me citing “Breaking the Waves” that invoked some snobby Waspy academic ire during my FSU film school interview years ago, so he has a place in my heart for that. But this feels almost Castle-like in its gimmickry. Having your actors go the extra mile has been featured in films ranging from Gerard Damiano's classic “Devil in Miss Jones” all the way to Michael Winterbottom's flawed but interesting 2004 film, “Nine Songs.”

So using explicit sexuality is nothing new, even for von Trier, going back to his film, 1998's “The Idiots.” Which makes the whole digital body double thing sound incredibly silly. If you're going to be outre, be outre but do not half ass it. What's sad is that there are critics that will call this art, which is fine, but largely will never use the “A” word regarding the pioneers who were using explicit sexuality, like Damiano and many of his peers, decades ago. This is not von Trier's fault, but instead the old guard film critic attitude. All the more reason for a proper cultural revolution. Rip it up and start again. 

Sunday, August 4, 2013

Weekly Mondo Round-Up: The Non Stop Whitman's Sampler Mix


The past week has been a veritable carousel of getting assorted article and film writing related activities done and out there. In short, it's been ideal. The biggest, by far, was getting to participate in the the tuber-fantastic William Castle Blogathon, hosted by the fine ladies at both GoreGirl's Dungeon and The Last Drive In. The assortment of different writers and Castle related goodies has been any genre film lover's dream. I would highly recommend checking out all of the entries, especially if you are a fan of the man. Getting to craft both a tribute, as well as delve into his pink-cheeked spy film, “13Frightened Girls!”, was a ton of fun. The man & legend that is William Castle has left a thumbprint on the world of cinema that will never be duplicated and this blogathon gives you plenty of examples why.

 

More on the not so quiet on the film front, my contribution to the “Underrated Dramas” feature on the fine site, Rupert Pupkin Speaks, went live this week. It was a great challenge, especially since the word “drama” has always made me a little itchy. Everything I love usually does not fit cleanly into any box, especially one as mainstream-respected as “drama.” But doing this list made me think outside of my own box, which is always a healthy thing. So I hope everyone enjoys it and immediately runs out to check out all the titles listed.







Earlier in the week, I appeared on my friend Frank Cotolo's podcast, “Cotolo Chronicles.” Last time around we discussed the living dead and this time around we discussed the living end of character actors. I didn't get to mention all of my favorites and while I think we got hit with the dreaded brain lapse that comes with the territory of live radio, as a whole it was fun. Plus, I got to plug my holy trinity of character actors: Joe Spinell, Rip Torn & Timothy Carey. Start building your altars now, if you haven't already.


One actor I did not get to mention that I desperately wanted to was Anthony James. He maybe a classic example of “Hey! It's that guy.” but once you see his mug, you will never forget him. Such an amazing face with the talent and presence to back it up. The lanky frame, sharp cheek bones, black-as-a-ravens-wing eyes and thin,wide smile—these are all just a few of the awesome things about Anthony James. My favorite James appearances include his turn as the lead villain in the Jay North-Angel Tompkins exploiter, “The Teacher,” the creepy chauffeur in “Burnt Offerings” and, of course, his fabulously sleazy agent in the music video for Poison's “Fallen Angel.” My only beef with that is the girl doesn't realize how good she's got it...nice clothes, great hair and the presence of a real, albeit highly oily man. Some girls...pffft. 

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