Showing posts with label William Castle Blogathon. Show all posts
Showing posts with label William Castle Blogathon. Show all posts

Sunday, August 4, 2013

Weekly Mondo Round-Up: The Non Stop Whitman's Sampler Mix


The past week has been a veritable carousel of getting assorted article and film writing related activities done and out there. In short, it's been ideal. The biggest, by far, was getting to participate in the the tuber-fantastic William Castle Blogathon, hosted by the fine ladies at both GoreGirl's Dungeon and The Last Drive In. The assortment of different writers and Castle related goodies has been any genre film lover's dream. I would highly recommend checking out all of the entries, especially if you are a fan of the man. Getting to craft both a tribute, as well as delve into his pink-cheeked spy film, “13Frightened Girls!”, was a ton of fun. The man & legend that is William Castle has left a thumbprint on the world of cinema that will never be duplicated and this blogathon gives you plenty of examples why.

 

More on the not so quiet on the film front, my contribution to the “Underrated Dramas” feature on the fine site, Rupert Pupkin Speaks, went live this week. It was a great challenge, especially since the word “drama” has always made me a little itchy. Everything I love usually does not fit cleanly into any box, especially one as mainstream-respected as “drama.” But doing this list made me think outside of my own box, which is always a healthy thing. So I hope everyone enjoys it and immediately runs out to check out all the titles listed.







Earlier in the week, I appeared on my friend Frank Cotolo's podcast, “Cotolo Chronicles.” Last time around we discussed the living dead and this time around we discussed the living end of character actors. I didn't get to mention all of my favorites and while I think we got hit with the dreaded brain lapse that comes with the territory of live radio, as a whole it was fun. Plus, I got to plug my holy trinity of character actors: Joe Spinell, Rip Torn & Timothy Carey. Start building your altars now, if you haven't already.


One actor I did not get to mention that I desperately wanted to was Anthony James. He maybe a classic example of “Hey! It's that guy.” but once you see his mug, you will never forget him. Such an amazing face with the talent and presence to back it up. The lanky frame, sharp cheek bones, black-as-a-ravens-wing eyes and thin,wide smile—these are all just a few of the awesome things about Anthony James. My favorite James appearances include his turn as the lead villain in the Jay North-Angel Tompkins exploiter, “The Teacher,” the creepy chauffeur in “Burnt Offerings” and, of course, his fabulously sleazy agent in the music video for Poison's “Fallen Angel.” My only beef with that is the girl doesn't realize how good she's got it...nice clothes, great hair and the presence of a real, albeit highly oily man. Some girls...pffft. 

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Monday, July 29, 2013

Hullabaloo & Horror: A Tribute to William Castle



Special thanks to both The Last Drive In & Goregirl's Dungeon for inviting me. Please check them out. They are marvelous!
 
Hullabaloo is one of the greatest and yet, underused words in the English language. Defined as “a clamorous noise,” it was something that used to be a fun element of showbiz. And no figure brought the sense of pure, wondrous hullabaloo better than the man himself, William Castle. A larger-than-life figure, complete with a big smile and an even bigger cigar, Castle left his indelible thumbprint in the world of cinema around 70 years ago and yet, no one has ever come close to overshadowing him. (Though one of his biggest fans, legendary cult filmmaker and eternal fan, John Waters, has come close.)

The biggest ruse, however, with a cat like Castle is that if he had been only pure hullabaloo, then the odds of this tribute happening are slim-to-none. If you're only icing, people will forget you or best case, you get a size 8 font footnote and filed under novelty. Castle made some of the most inventive and memorable horror films, on top of producing classics like “Rosemary's Baby.” After all, no one retains the level of shock-and-awe by mere schlock alone.

William Castle first came into my life when I saw “House on Haunted Hill” as a little girl. The horror house thrills that abound in that film instantly wooed me. (Not to mention ever since, I've had a thing for guys with Vincent Price mustaches---but only if they can carry it with the same suave-sinister panache.) If you were a horror loving kid like I was, then Castle was your Walt Disney. Titles like “The Tingler,” “Straight Jacket,” “13 Ghosts,” the aforementioned “House on Haunted Hill” and “Mr. Sardonicus” were custom built for people like us.

Not to short-change the gimmicks. Not at all, especially given how bloody good a lot of them were, with my personal favorites being the world-wide beauty contest for “13 Frightened Girls” and the million dollar insurance policy taken out for Hercules, the lead cockroach in 1975's “Bug.” Given the tenacity of some of the roaches in my old apartment, dollars to doughnuts no one still has collected on that one for ole Herc.

But to remember Castle mainly for that is overlooking the fact that there was some good film making involved. Even some of the cheesier films, like “Bug” or “13 Frightened Girls,” have some deft charm. Most importantly, you are never ever going to be bored watching a William Castle film. Others from his era have faded into the fine print in dusty old film tomes, but William Castle, his legacy, his showmanship and his films will live on, shiny and almost new for years to come.

The Candy Web: William Castle's 13 Frightened Girls!


When one thinks of the classic tell-tale images of a typical William Castle film, what exactly comes to mind? An arm rising out of a bloody bathtub? A skeleton tapping a lovely, scared lass's shoulder? An aging Joan Crawford holding an axe? One swanky Vincent Price? How about an intrepid, undercover spy/blonde piece of jail bait in the form of Candy Hull? Okay, the latter more than likely is not the first or fifth thing you think of when it comes to Castle, but exist it does in the form of his 1963 film, “13 Frightened Girls!” 


Despite the spider-web laden trailer, horror fans be warned, this is a total rosy-cheeked, borderline safe for the happiest-place-on-Earth crowd spy film, filled with teenage hijinks and brimming with girlish shenanigans. Proof? The proceedings begin at Miss Pittford's Academy for Young Girls, an idyllic school set in the Swiss Alps (or San Bernandino) for perfectly groomed, clean-skinned and lovely-as-a-Spring-flower daughters of world diplomats. At the head of the pack and narrating is Candice Hull aka Candy (Kathy Dunn), your all-American blue-eyed blonde lovely whose talent in Latin is disproportionate with her driving skills. The latter is used for early comic relief when Candy flips after a tarantula (?!) inexplicably comes down in front of her on the school bus. Scaring teenage girls? Who is this spider, anyways? Ted Nugent? 






Despite the minor wreck, all of the girls safely get to the airport for their school vacation. Candy goes to London, where her father, John (Hugh Marlowe), is stationed. Before greeting Daddy, she immediately beelines for Wally (the always impeccable Murray Hamilton), secret agent and worker for her father. Wally maybe the cat's meow, but he is also engaged to fellow agent Soldier (Joyce Taylor,) not that this deters young Candy. Thankfully, Wally actually has morals and did not attend the Jimmy Page Gentleman's School of Courtship and quickly rebuffs the 16 year old's hormone-laced advances.

The worm soon turns when she finds out, through annoyingly snooping, that Wally's job is in trouble. The main problem being his ability to obtain crucial information at the right time. Slack is an element needed in most jobs, but in the spy world? Not so much. Worried that her #1 crush could end up on the bread line, she ends up taking matters into her own hands. The name Kagenescu (Walter Rode) pops up in her father's conversion with Wally and of course, who does Candy run into while visiting her friend from China, Mai-Ling (Lynne Sue Moon)? Yeppers, Kagenescu.


Continuing her growing trend of being a bad guest, Candy immediately starts (yet again) snooping, traveling via the dumbwaiter. This is one of the best moments in the film, where a cat, randomly out of nowhere, gets thrown at Candy. Is it one helluva goony, not to mention cheap, scare? Absolutely, but it is wonderful in its lack of shame. Anyways, she makes a pit stop in the kitchen, managing to crawl around the most oblivious kitchen staff ever and goes to the freezer. It is there she discovers Kagenescu, hanging from a meat hook and stabbed with her father's letter opener. She manages not to arouse suspicion, amazingly enough, and excuses herself home soon after.

Meanwhile, Wally receives a mysterious note, lettered kidnapper style, along with the murder weapon. Turns out Kagenescu was killed by Mai-Ling's father, all in the hopes of starting international trouble with America. The note, signed by “Kitten,” gives Wally all the juicy info he needs to please his boss. This lights the espionage fire within Candy-Kitten, who puts all of her academic talents into studying the fine art of being a female spy. (All courtesy of a tome entitled, “Methods & Training of Modern Espionage.”) She practices the art of seduction, first to cure some love-lorn drama amongst the girls, then to provide more tidbits to Wally via her Kitten nom-de-plume, ranging from photos of canoodling world leaders to chess games gone hot-headed.



It's when she tries to further use her powers of seduction with a Russian Communist masquerading as a Dutch student, that she starts to truly play with fire. The handsome, in kind of a Quaalude sort of way, Peter (Garth Benton), is planning to orchestrate a student uprising, all in the scheme of having a Communist takeover in a foreign land. Candy narrowly escapes death after being drugged by Peter and manages to get her well bred posterior out of the frying pan.

That is, until Wally finds out who Kitten truly is, all after her Dad keeps putting the heat on him to reveal this independent agent once and for all. Typical teary adolescent drama ensues, only to be cut short by the news that Mai-Ling's daddy has kidnapped Soldier, with the ransom being non-monetary. Like everyone else on the Globe, they want to know who this “Kitten” is and want “him” delivered in person. That's another strange thing, is that everyone assumes that Kitten is a dude, which seems like it would be a very effeminate nickname for a super spy. Imagine calling James Bond “kitten” and you will immediately see my point. 

 
The rest of the film has some fascinating ziz-zags, some expected, including Mai-Ling getting upset after feeling used by Candy, but others not so much. Especially the ultimate and legitimately surprising twist near the very end.

On the whole phantasmagorical spectrum that is the film work of William Castle, “13 Frightened Girls!” tends to get mentioned a little less. Granted, compared to the big daddies that are “House on Haunted Hill” and “Straight Jacket,” it is easy to see why. First of all, it's not a horror film and even its gimmick, involving a world wide contest to find 13 lucky and comely girls from assorted countries to be featured, seems a little wan in comparison to the more outlandish stunts with the other films.

All that said, the film has a certain winsome charm and knowing cheekiness that makes it a fun ride. Sure, Candy is precocious to the point that someone needs to throw a brick in her general cranium direction and one has to take a pretty hefty suspension of disbelief that this tow-haired teen could pull off half of the antics she does. But that is the charm. It's like Castle is sitting next to you, cigar danging out of his smiling mouth and winking at you, as if to say, “Can you believe this shit?”


Forget believability, it's a fun, candy-shell-coated adventure. On top of that, Murray Hamilton is so good as the warm-hearted and world-weary Wally. Kathy Dunn is appropriately earnest and energetic as Candy. Of the rest of the teenage diplomats, the real standout is Gina Trikonis, daughter of former dancer turned director Gus Trikonis (“The Evil,” “Swinging Barmaids”), as the Russian representative, Natasha. She gets some good lines, including snarking on Candy's getting top grades in Latin while almost killing them on the bus (“a dead language is not worth dying for”) and possessing all sorts of bitchy verve with a nice center. Also worth noting is Alexandra Bastedo as Alex/England, who went on to have roles in the original “Casino Royale,” as well the top role in the horror-exploitation classic, “The Blood Splattered Bride.” There's also Judy Pace, who plays the student from Liberia. Pace went on to have a healthy TV career, having appeared on shows like “Peyton Place” and “Ironside,” as well as acting in notable films like “Cotton Comes to Harlem” and “Frogs.” Both Bastedo and Pace are given little do here other than smile and look pretty, but it is nice to see that they were able to build respectable careers on top of their debut work here.

“13 Frightened Girls!” maybe viewed as a mere curiosity in the silver screen world of William Castle, but it is sweet, silly and entertaining enough to merit a viewing. The power of Murray Hamilton and random cats compels you!